![]() ![]() ![]() ![]() With Marija’s blessing, he meets with the director, Vulkmir (Sergei Trifunovic), who states that he wants Milos to just be himself, and so refuses to let him know what the film is about. He is struggling to not only survive financially, but part of him misses the action, though he won’t admit it to himself.Īsked to come back for just one film by an ex-co-star, Lejla (Katarina Zutic), he is hesitant, but the promise of a big paycheck and “the itch” calls him. But now he has a (understanding) wife, Marija (Jelena Gavrilovic) and a six-year-old son. We are introduced to retired porn star Milos (Srdjan Todorovic), whose specialties were having a bit of a violent streak and being fatigueless. But Videodrome only brushes where Srpski Film takes off. They both deal with the issue of violence through media with a political bent. David Cronenberg’s Videodrome should almost be a prerequisite for watching this film from the former Yugoslavia.
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